pneumatic tube factory tour part two: the workshop

I arrive at the Hörtig pneumatic tube factory on a hot day in June. The factory is in the outskirts of the German city of Bayreuth, which I reach by meandering past the city's opera houses and gardens. After waiting for several trucks to pass in the factory driveway, laden with tubing, I enter the building. I then meet Martin, the owner of the company, and my warm host for the morning, Karin.

Karin works in quality assurance, a job she tells me about over a hot chocolate, in the staff kitchen and dining area. After I finish my drink, Karin takes me on a tour of the factory. We enter the factory floor first of all. There is a quiet, subdued sense of industrious work in the workshop, with the faint sound of a saw or drill coming from a nearby room. A smell of grease or oil gets stronger as we step further into the workshop.

At one bench, a man sits painting parts of tubing with grey paint, using a small paintbrush. He works by himself, and has about ten parts in front of him. Behind him there is a large wall of little drawers of hardware; screws and other pieces needed to assemble the tubes, all neatly labelled and ordered.

Karin and I head further into the workshop, passing apprentices at various workstations, working with electrical parts, learning their craft. In a glassed-off room a large machine methodically cuts out pieces of grey plastic - perhaps this is the sound I heard earlier. The room is very neat, all the tools arranged carefully.

It is a privilege to be allowed access into the heart of this pneumatic tube factory, to be allowed into the workshop, and see the German craftsmen at work. There is a lot to take in, the sounds, smells and sights of the tubes being built, by machines and by men. There is a craft tradition here I am only vaguely aware of, and techniques and tools that I do not understand. Yet already this tour is telling more more about pneumatic tubes than I could have imagined. The next blogpost will take you further into the factory, this time to the testing room floor.

All images my own.

sketches of the future

Do you find yourself drawing on napkins, keeping sketchbooks, pencilling in the margins of your fieldnotes or doodling while on the phone?

If so, this you will be interested in this sketching workshop:

We are seeking people who use sketching—for developing greater understanding, for conveying ideas as they are being formed, for communicating fully formed ideas, or for other reasons—to participate in a workshop to better understand the varied roles of sketching in design, research, and practice. Participants from all fields, with any skill level or experience in sketching, are welcome and encouraged. We are interested in how design methods are being adopted, adapted, and appropriated in various disciplines, using sketching as a concrete example and focal starting point. This workshop will therefore assemble a diverse group of participants to explore the methodological, epistemological, and practical issues, such as the tension between artifact production and knowledge production, that can arise in such work.

The workshop will involve presentations and discussions on the evolution and incorporation of design methods in a variety of disciplines, as well as hands-on sketching activities that will give participants the opportunity to try out a variety of sketching methods. This workshop seeks to document some of the myriad ways in which design methods, including but not limited to sketching, are being combined with approaches from other disciplines. Participants will also be encouraged to engage in a reflective dialogue examining the ramifications of these methodological crossovers and hybrids, both on the individuals involved and on their respective fields.

Potential attendees should submit a sketch and a statement. The sketch should come from their own work, though it need not be a sketch they have made, simply one they use. The sketch can take any form and is not limited to freehand drawings. The statement, up to 2 pages in DIS conference format, should describe the role that sketching plays in their work, using the submitted sketch as an example. Strong statements will reflect on the methodological issues in, and the implications of, using sketching in the author’s own field of work.

Submissions may be sent via email to the organizers (ericpsb and mkh46, both at cornell.edu). Submission Deadline: March 23, 2012Notification: April 6, 2012Workshop Date: June 11, 2012

For more information visit the workshop website.

Which reminds me, next on my reading list is Andrew Pickering's The Cybernetic Brain: Sketches of Another Future, because it has been recommended, because Pickering resides at my university, and because it has a great title!

Image drawn by, and used with kind permission of my dad, John Harris.