Showing posts with label visual. Show all posts
Showing posts with label visual. Show all posts

Saturday, July 20, 2013

pneumatic circus

I have covered various artistic interpretations of pneumatic tubing systems before on this blog, as well as museum displays for children, but I have just been told about one of the most imaginative, interactive and creative pneumatic tube artistic installations yet: PNEUMAtic circUS.

PNEUMAtic circUS was a networked postal art project curated by Vittore Baroni, music critic, "explorer of countercultures", and avid activist for mail art, in collaboration with Tatiana Bazzichelli (sociologist of communication with interest in hactivism), Jonas Frankki (designer responsible for Berlin collective Telekommunisten) and Mauro Guazzotti (leader of experimental noise/industrial band). It was held as part of the transmediale festival for art and digital culture, from January to February 2013 in the Haus der Kulturen der Welt in Berlin.

The project involved one hundred mail artists sending in pneumatic post capsules with instructions and scores to be used by the festival visitors for actions and performances.

Artists came from sixteen countries. That is twice as many countries as arms of an octopus, the mascot for the project, also fabulously called P7C-1 Intertubular Octosocial Pneumatical Postal Network, with its tentacles of tubing spreading across the installation space.


You can find the gorgeous catalogue from the installation here (front cover below), with essays from the curators and many images too. The digital catalogue was unveiled recently in Viareggio, the launch marked by further pneumatic performances, with a workshop where attendees could create and transmit their own messages.


See also the Telekommunisten.net website for more about the exhibition and a terrific "inside the OCTO" video.

Images used with permission from the PNEUMAtic circUS Flikr page.

Thursday, July 11, 2013

tube cam

While it has been a few months since I have blogged about pneumatics, they certainly haven't strayed too far from my thoughts - how could they! I've enjoyed novels and short stories about them, heard about fantastic pneumatic art projects, spent a day in a pneumatic tube factory and kept up-to-date with all of the latest hospital installations. Which means many interesting pneumatic posts to come, so stay tuned!

In the meantime, a video to share, posted by Exploratorium, called Science in the City: Pneumatic Tubes. It is a little documentary about the famous Stanford Hospital system which has inspired many creative adventures by pneumatic tube lovers. This one is special for its camera footage, dubbed by a commenter as "tube cam". The visuals and sounds are wonderful in this footage, which feels like a mix between a waterslide ride and an endoscopic exploration.


Still video image of inside a hospital pneumatic tube from YouTube, Science in the City: Pneumatic Tubes.

Wednesday, May 16, 2012

embroidering anthropology

What is not to love about the gorgeous embroidered typography of this month's edition of the new online anthropology journal, Anthropology of This Century:




It is so nice when academia pays some attention to aesthetics.

Saturday, April 7, 2012

hospitals of music and flowers

A beautiful series of photos in Colossal has been making the blog rounds recently, of Anna Schuleit's installation Bloom. This moving work involved the careful placement of twenty-eight thousand pots of flowers in various wards of a closed mental health hospital in New England, USA.


Usually photos of closed hospitals highlight decay, disuse and disrepair. Schuleit's installation on the other hand tells a somewhat more poignant story. Asked to create a sit-specific work for the closed hospital, which would be open to the public for four days, she chose to inundate the space with flowers, to reflect on the sad absence of flowers in psychiatric settings. After the exhibition closed, the flowers were then delivered to nearby shelters, half-way houses and psychiatric hospitals. This is not the first time that the artist has produced a site-specific work in a hospital. In 2000 she created a sound installation in another disused New England hospital called Habeas Corpus, where visitors listened to a recording of Bach's Magnificat pouring out of the shattered window panes.

Image from trendhunter and thanks to Daniele for sending me this link.

Wednesday, March 21, 2012

as winter slides into spring

It seems only fitting to mark the changes of the seasons with some beautiful microscopic slides. Two years ago I was fascinated by the nonist's exquisite microscopic specimens. Now I have discovered Wilson Bentley's 1880s microscope-photographs of the ephemeral, melting, delicate snowflake:










Images from Wikimedia Commons.

Tuesday, March 13, 2012

london tubes

I am going to London in April. After four months now of living in England I am itching to visit the nation's capital, my mouth watering already for London restaurant meals and the coffee I hear some Melbourne baristas are brewing in Antipodean cafes, as well as the galleries, the museums etc etc. Oh yes, and the excellent conference I am attending on genetics!

Think London and you think underground. Or 'the tube'. The iconically represented networked system of transportation is now synonymous with the city. In Flesh and Stone, Richard Sennett describes the London Underground as both an artery and a vein, transforming the social condition of Londoners by allowing them to live further outside the city centre, facilitating mass consumption, and supposedly creating a more "mixed" city.

It is because of the human blood like flows of people however that Sennett proposes that the city was not mixed but rather that human contact between the classes was limited. During the day, the arteries took people below ground into the heart of the city, creating density by daylight, while at night the subterranean channels emptied the masses from the centre, leaving a sparsely populated city.

Tubes and vessels, pipes and lungs: the circulatory system and respiratory system are often used to describe urban flows of transportation, communication and other forms of movement. What does it mean to use these medical metaphors? Particularly in contexts such as hospitals, if we want to describe pneumatic tube systems in this way, where vessles, arterioles, air sacs and tracheas take on a particular clinical relevance? The metaphors we use tell us something about norms, attitudes, values and so forth, and this is something I have previously explored, and will continue to explore, when thinking about pneumatic tubes.

Image from Roger Wollstadt's Flikr photostream.

Tuesday, March 6, 2012

sketches of the future

Do you find yourself drawing on napkins, keeping sketchbooks, pencilling in the margins of your fieldnotes or doodling while on the phone?
If so, this you will be interested in this sketching workshop:
We are seeking people who use sketching—for developing greater understanding, for conveying ideas as they are being formed, for communicating fully formed ideas, or for other reasons—to participate in a workshop to better understand the varied roles of sketching in design, research, and practice. Participants from all fields, with any skill level or experience in sketching, are welcome and encouraged. We are interested in how design methods are being adopted, adapted, and appropriated in various disciplines, using sketching as a concrete example and focal starting point. This workshop will therefore assemble a diverse group of participants to explore the methodological, epistemological, and practical issues, such as the tension between artifact production and knowledge production, that can arise in such work.

The workshop will involve presentations and discussions on the evolution and incorporation of design methods in a variety of disciplines, as well as hands-on sketching activities that will give participants the opportunity to try out a variety of sketching methods. This workshop seeks to document some of the myriad ways in which design methods, including but not limited to sketching, are being combined with approaches from other disciplines. Participants will also be encouraged to engage in a reflective dialogue examining the ramifications of these methodological crossovers and hybrids, both on the individuals involved and on their respective fields.

Potential attendees should submit a sketch and a statement. The sketch should come from their own work, though it need not be a sketch they have made, simply one they use. The sketch can take any form and is not limited to freehand drawings. The statement, up to 2 pages in DIS conference format, should describe the role that sketching plays in their work, using the submitted sketch as an example. Strong statements will reflect on the methodological issues in, and the implications of, using sketching in the author’s own field of work.

Submissions may be sent via email to the organizers (ericpsb and mkh46, both at cornell.edu). Submission Deadline: March 23, 2012Notification: April 6, 2012Workshop Date: June 11, 2012
For more information visit the workshop website.

Which reminds me, next on my reading list is Andrew Pickering's The Cybernetic Brain: Sketches of Another Future, because it has been recommended, because Pickering resides at my university, and because it has a great title!

Image drawn by, and used with kind permission of my dad, John Harris.

Thursday, February 23, 2012

beautiful books

My Modern Met posted an entry recently about "book surgeon" Brian Dettmer, and his literary scultpures made from encyclopedias, medical journals, illustration books and dictionaries. These two just seemed worth sharing here ...



Thanks Pamela for sharing this with me!

Wednesday, February 15, 2012

pneumatic post cartoon of the week

The Simpsons: Marge Gets a Job



Marge: "Where does it go?"
Homer: "Don't worry baby, the tube will know what to do"
Image from Gizmodo. See episode on YouTube and read about it on The TV IV.

Thursday, February 2, 2012

stitching seed cells

Following a previous post about Anna Dumitriu's experiments in bacterial communication, I thought I would share the embroidery I finished last year, inspired by Annie's postcard of seed cells. More about pneumatic tubes next week I promise!



Friday, January 20, 2012

pneumatic post art of the week 5

Kubische constructie by André Volten

(Kröller-Müller Museum, Otterlo, The Netherlands, 1968)


Image of from Paul Chanthapanya's Flikr photostream.

Friday, January 13, 2012

pneumatic post art of the week 4

Re/Search: Bread and Butter with the ever present Question of How to define the difference between a Baguette and a Croissant (II) by Serge Spitzer

(Palais de Tokyo, Paris, 2010)




Photo from workflo's photostream

Tuesday, January 3, 2012

pneumatic post art of the week 3

Test Site by Carsten Höller
(Unilever Series,Tate Modern, London, 2006)




Experience by Carsten Höller
(New Museum, New York, 2011)



Follow hyperlinks for more information about this pneumatic-looking slide at the Tate and New Museum.

Images from
Charles Hayne and Scalino's Flikr pages

Friday, July 1, 2011

catching a blue

Today I received a knock on my door and a colleague, Joeri, kindly handed me some papers. It wasn't pneumatic post, but close to it: Molly Wright Steenson's article on the Poste Pneumatique in the latest issue of Cabinet Magazine.


Molly Wright Steenson, otherwise known as girlwonder, is a Architecture PhD candidate at Princeton University, and previously known for her Ignite video on pneumatic tubes. Her article, Interfacing with the Subterranean, provides a meandering journey through the historical sewers of pneumatic engineering in Paris and other cities in Europe (such as Marseilles, see above).

In the article she discusses various workers associated with delivering the
petit bleus, such as the petit facteur télégraphiste (telegraph delivery boy) and the tubiste (postal worker), as well as the sounds and obstructions in the system which I will explore further in future posts.

Towards the end of the article, Steenson puts forward her argument: the pneumatic tube system in Paris was both circulation and respiration for the city, and that as such was regarded as part of healthy progress. She writes (p86):
"The pneumatic tube network is a system that breathes, eats, circulates, fires synapses, and excretes; its structures are lungs that store air, pumps that move their charges, circuits that fire electrical impulses, devices that read them, mouths that swallow, and cloacae that expel"
I like this cyborgic corporeal-mechanical image, which resonates with my own way of thinking about pneumatic tube systems. I can't help but think of the wonderful images of Fritz Kahn, aesthetic master of the machine-body metaphor. I wish every knock on the door came with such inspiring post!

Image from Wikipedia.

Monday, April 18, 2011

breathing new life into history

I received this announcement in my inbox over the weekend, which is seems to be some kind of good news following the the bad news for medical historians last year:
"Dear MEDMED-L Colleagues,

Many of you may have heard last year that the Wellcome Trust Centre for the History of Medicine in London—which was tied to University College, London—was shutting its doors. I've now learned that the Centre has been given a new lease on life, but with a much more circumscribed mandate. It will be tied not to the History faculty at UCL but to the the Biological Sciences Division of the Faculty of Life Sciences. Its focus will be solely on the history of the neurosciences "and related fields."

You can find the new director's announcement at this link:
http://www.ucl.ac.uk/histmed/library/new_centre."
On another historical 'note' I have added a new book to my reading list after learning that Rosalind Williams will be receiving an honorary doctorate in the Netherlands soon:



I have never read any of Rosalind Williams' work but am looking forward to a book about "real and imaginary undergrounds" from a historian "who uses imaginative literature as a source of evidence and insight into the history of technology". I already like the choice of image on the front cover of her book - one of my favourite Andreas Gursky photographs.

Image from Rosalind Williams' website.